The film observes three circular patterns: cherry blossom petals circling in a rushing mountain stream and among rain drops; the changing sky and seasons seen on a reflective dome; and the blooming and fading of flowers. Circles and cycles appear often in daily life. This film, made entirely from still photos, creates a new vision and raises philosophical questions about time and lifecycles.

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這天熱鬧的西街廣場，年輕人們聚集在此享受夏日活力，小茴和夏天相約在此碰面，夏天陪著小茴要賣個網路虛擬寶物，意外的是，這次交易的對象竟然是學生中的惡霸---以孔龍為首的櫻野三小龍！夏天、阿將、方威、BULU，這四個從小在老西街一起長大的同學兼好朋友，見小茴有難，其他三人怎能坐視不管？於是跟孔龍起了衝突。 　　櫻野三小龍的小魏看孔龍不敵阿將四個人，機伶的求助孔議員，孔議員於是利用自己的私權，將整個事件擴大渲染，阿將跟孔龍的紛爭成了第二天報紙頭條--『西街惡少，持槍恐嚇』。 　　整件事情鬧得整個櫻野學院校園沸沸揚楊，校長在夏天的父親夏警官協助排解下，要求孔龍跟阿將和解，但是，此時孔議員的一通電話，要求校長把阿將、方威、Bulu退學，再度讓整個事件變得難以收拾！ 　　孔議員的電話，變成校長不得不讓阿將他們退學的壓力；明天即將退休的夏警官，因為協助排解這個糾紛，意外地把自己的配槍掉在櫻野學院；校長提出只要阿將等人幫夏警官找到配槍，就不讓他們退學的條件，阿將會接受嗎？夏警官的槍又掉在哪裡呢？ 　　一把遺失的警槍，幾個可能被宣判退學的學生，將在櫻野學院展開一段不可思議的故事！

"3,2,1 - Kuhaj!" is cooking competition show broadcasted on Croatian RTL Television. The show targets amateur cooks and culinary enthusiasts who apply either as individuals (1st and 2nd season) or in pair (rest seasons). In each episode cooks have special challenges they have to overcome and prove their cooking skills. As the season progress cooks are eliminated one by one. The winner of the season gets money prize.

Multiple Soojeong, divided by a multiverse, is torn apart by multiple pains. In one universe, she goes on a mysterious journey with a woman named Soo Ja, who figures out Soojeong’s mind. A love story about a world where everything is a delusion but becomes a reality; she heals herself and becomes stronger.

A group of five teenagers create a video channel to discover different sports . Through their adventures they try out a wide range of activities and discover all the positive values that sport brings us, such as team spirit, friendship, surpassing oneself and, above all, having fun!

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

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